publications
articles, books
& reviews
With Reference to Hans Haacke, Verlag der Buchhandlung Walther König, Berlin, 2012.
New York Public Library Explores Photography and Decay by Rozalia Jovanovic, Gallerist NY, The Observer, Jan 2012.
Photography and Ruin, New York Public Library, New York, US, 2011.
Look Up! Art in the Age of Orbitization epilogue by Philip Pocock in Imagining Outer Space: European Astroculture of the 20th Century, edited by Alexander Geppert, Palgrave Macmillan publ. 2011.
Gegenwelten zwischen Differenz und Reflexion: Momentaufnahmen vom Festival Dance, pg. 100, Jürgen Schläder / Franziska Weber, Henschel Verlag, Leipzig, 2009.
Uta M. Reindl, YOUniverse, Kunstforum, Germany, Bnd. 195, Jan-Mar 2009.
& reviews
With Reference to Hans Haacke, Verlag der Buchhandlung Walther König, Berlin, 2012.
New York Public Library Explores Photography and Decay by Rozalia Jovanovic, Gallerist NY, The Observer, Jan 2012.
Photography and Ruin, New York Public Library, New York, US, 2011.
Look Up! Art in the Age of Orbitization epilogue by Philip Pocock in Imagining Outer Space: European Astroculture of the 20th Century, edited by Alexander Geppert, Palgrave Macmillan publ. 2011.
Gegenwelten zwischen Differenz und Reflexion: Momentaufnahmen vom Festival Dance, pg. 100, Jürgen Schläder / Franziska Weber, Henschel Verlag, Leipzig, 2009.
Uta M. Reindl, YOUniverse, Kunstforum, Germany, Bnd. 195, Jan-Mar 2009.
YOUniverse, BIACS3 Seville Biannual | Marie-Ange Brayer/Wonil Rhee/Peter Weibel, BIACS Foundation, Andalusia, Spain, 2008.
Documents: Quelques pratiques artistique à l'ère de la numérisation (Some artistic practices of the digital age) Collection 35 Œvres Tome I, les presses du réel / Espace multimedia Gantner, Bourogne, France, 2007.
YOU_ser: The Century of the Consumer | Peter Weibel editor, ZKM Karlsruhe, 2007.
Klio: a Short History of Art in Euroamerica since 1945, ZKM Karlsruhe, Germany, 2007.
InterviewStream blog, concept/design/editor-in.chief, ZKM Karlsruhe, Germany, 2005-.
Jack Goldstein: Aphorisms 1987-2006, concept/dvd+web publisher/curator, ZKM Karlsruhe, Germany 2006.
Feelings Are Always Local | V2 Publishing / NAi, Rotterdam, 2004.
Internet Art | Rachel Greene, Thames & Hudson, London, 2004.
Digital Transformations: Medienkunst als Schnittstelle von Kunst, Wissenschaft,
Wirtschaft und Gesellschaft | Ursula Froehne, Whois Verlag, Heidelberg, 2004.
Critical Conditions: Information Atmospheres and Event Scenes | Timothy Druckrey, Wood Street Galleries, Pittsburgh, 2003.
The Conquest of Ubiquity | Espacio Xtra Foundation Caja Murcia, Spain, 2003.
The Chronofiles: Time-Based Art to Database | Lotrigner13, Munich,, 2003.
CyberArts | Ars Electronica, Hatje Cantz, 2003.
Chronofiles | Kunstforum 164, Germany, 2003.
Hull Short Film Festival | The Independent, London, 2003.
Clásicos Digitales | Sociedad Arte Digital, El Pais, Madrid, 2002.
Future Cinema | Metropolis magazine, Tokyo, Japan, 2002.
Future Cinema: Cinematic Imaginary after Film | Jeffrey Shaw / Peter Weibel, MIT Press, Cambridge, 2002.
Kunst des Ausstellens | AbK Stuttgart / Hatje Cantz Verlag,, 2002.
Zero to Infinity: Arte Povera 1962-1972 | Tate Modern, 2001.
Voila: le monde dans la tête | Musée d’art moderne de la Ville de Paris, 2000.
Media Art Interaction: 80s and 90s in Germany | Springer Verlag, New York
/Vienna, 2000.
Solitude im Museum / Solitude au musee | Staatsgalerie Stuttgart / Musée d’art moderne St. Etienne, 2000.
Desert & Transit | Kunsthalle Kiel / Museum der bildenden Künste Leipzig,
2000.
Rewind to the Future | Springerin, Austria, 2000.
Rewind to the Future | Kunstforum, Germany, 2000.
Sei einfach Medium! | Suddeutsche Zeitung Feuilleton, Munich,, 2000.
Net Condition / Netz_Bedingung | Camera Austria, 2000.
Humbot at Galerie K&S | Flash Art, 2000.
Tausend Karten | TAZ Tages Allgemeine Zeitung, Berlin,, 2000.
Netz Kunst im ZKM | Kunst-Bulletin, Switzerland, 1999.
Strampeln in der Cyber-Welt | Der Spiegel, Germany, 1999.
Rewind to the Future | Dr. Annelie Poehlen, Bonner Kunstverein / Neuer Berliner Kunstverein, 1999.
Net Condition: Art and Global Media | Timothy Druckrey / PEter Weibel, MIT Press, Cambridge, 1999.
Augenblick und Endlichkeit | Museum Ludwig, Salon Verlag, Cologne,1999.
16th World Wide Video Festival | Stedelijk Museum, Amsterdam, 1998.
Die Kunst und ihre neuen Medien | Spektrum Der Wissenschaft, Germany, 1998.
Peripherie ist Überall | Edition Bauhaus, Campus Verlag, Frankfurt, 1998.
Das Buch zur Documenta X | Catherine David, Kassel, Germany, 1997.
7th International Video Week | Saint Gervais, Geneva, 1997.
Kunst und Öffentlicher Raum | Neue Bildende Kunst, Germany, 1997.
Arctic Circle, Altas der Künstlerreisen | Kunstforum 137, Germany,1997.
U-Bahn nach Kassel | Frankfurter Allgemeine Zeitung, Germany, 1997.
Cool Club Cultures | Kunstforum, Germany, 1997.
Fotographie nach der Fotographie | Verlag der Kunst, Munich, 1996.
Photographie des 20. Jahrhunderts | Taschen /Museum Ludwig, Cologne, 1996.
Medium bedeutet Mitte | Kunstforum 137, Germany, 1996.
Bumper Value Jotter | Städtische Kunstsammlung Augsburg, 1996.
Experimental Vision | Denver Museum of Art, Colorado, 1995.
Growing up and Coming Down | Kunstforum, Germany, 1995.
Philip Pocock | Kunstforum, Germany, 1995.
The Art World and I Go Online | Art in America, New York, 1995.
Proiectul Intermedial Black Sea Diary | Intermedia, Bucharest, Romania, 1994.
Inbetween | Kunstforum, Germany, 1993.
Excess in the Technomediacratic Society | New Observations, New York, 1993.
Excess in the Technomediacratic Society | Musée Sarret de Grozon, France,
1992.
Projects: Philip Pocock | Albany Museum of Art, Georgia, 1989.
Photography on the Edge | Haggerty Museum of Art, Milwaukee, 1988.
Real Inventions/Invented Functions | Arts magazine, New York, 1988.
Art People | by Douglas McGill, The New York Times, New York, 1988.
Philip Pocock at Piezo Electric | Los Angeles Times, Los Angeles, 1987.
Landscape of Dreams | East Village Eye, New York, 1986.
Philip Pocock's Chemical Mirror | Arts magazine, New York,1986.
Today the Frame May be a Part of the Picture | Grace Glueck, New York Times, New York, 1985.
Philip Pocock at Piezo Electric | ArtPresse, Paris, 1985.
Philip Pocock at Piezo Electric | East Village Eye, New York, USA, 1985.
The New Irascibles | Arts magazine, New York, 1985.
The Submerging Figure | Dan Cameron, Arts magazine, New York, 1985.
Slouching Toward Avenue D | Art in America, New York, 1984.
Encyclopedia of Photography | ICP / Crown Press, New York,, 1984.
Art and Artists | Soho Arts Weekly, New York,, 1984.
Just Appearances | Progresso Fotografico, Milan, Italy, 1984.
Philip Pocock at Greathouse Gallery | Artnews, New York, USA, 1984.
Voice Pick | The Village Voice, New York, USA, 1984.
Berlin Photographs | London Regional Art Gallery, London,1983.
Wilder Bilder: Graffiti und Wandbilder | Kunstforum 50, 1982.
New York: Illusione Ovvia | Zoom La Revista dell’Immagine, Milan, 1982.
Des Murs dans la Ville | L’Equerre, Paris,, 1981.
Double Exposure at AGO | The Globe and Mail, Toronto, 1981.
Photography's Coming of Age at the AGO | Toronto Star, Toronto, 1981.
Two Ends of a Spectrum | Vanguard magazine, Vancouver, Canada, 1981.
Two Ends of a Spectrum | The Art Gallery of Ontario, Toronto, 1981.
Philip Pocock, Photography Annual 1981, New York, USA, 1981.
Walls with a View | New York magazine, New York, USA, 1981.
The Art of Escape | The Globe and Mail, Toronto, 1981.
Art Beat: The Politics of Culture | The Village Voice, New York, 1981.
YOU_ser: The Century of the Consumer | Peter Weibel editor, ZKM Karlsruhe, 2007.
Klio: a Short History of Art in Euroamerica since 1945, ZKM Karlsruhe, Germany, 2007.
InterviewStream blog, concept/design/editor-in.chief, ZKM Karlsruhe, Germany, 2005-.
Jack Goldstein: Aphorisms 1987-2006, concept/dvd+web publisher/curator, ZKM Karlsruhe, Germany 2006.
Feelings Are Always Local | V2 Publishing / NAi, Rotterdam, 2004.
Internet Art | Rachel Greene, Thames & Hudson, London, 2004.
Digital Transformations: Medienkunst als Schnittstelle von Kunst, Wissenschaft,
Wirtschaft und Gesellschaft | Ursula Froehne, Whois Verlag, Heidelberg, 2004.
Critical Conditions: Information Atmospheres and Event Scenes | Timothy Druckrey, Wood Street Galleries, Pittsburgh, 2003.
The Conquest of Ubiquity | Espacio Xtra Foundation Caja Murcia, Spain, 2003.
The Chronofiles: Time-Based Art to Database | Lotrigner13, Munich,, 2003.
CyberArts | Ars Electronica, Hatje Cantz, 2003.
Chronofiles | Kunstforum 164, Germany, 2003.
Hull Short Film Festival | The Independent, London, 2003.
Clásicos Digitales | Sociedad Arte Digital, El Pais, Madrid, 2002.
Future Cinema | Metropolis magazine, Tokyo, Japan, 2002.
Future Cinema: Cinematic Imaginary after Film | Jeffrey Shaw / Peter Weibel, MIT Press, Cambridge, 2002.
Kunst des Ausstellens | AbK Stuttgart / Hatje Cantz Verlag,, 2002.
Zero to Infinity: Arte Povera 1962-1972 | Tate Modern, 2001.
Voila: le monde dans la tête | Musée d’art moderne de la Ville de Paris, 2000.
Media Art Interaction: 80s and 90s in Germany | Springer Verlag, New York
/Vienna, 2000.
Solitude im Museum / Solitude au musee | Staatsgalerie Stuttgart / Musée d’art moderne St. Etienne, 2000.
Desert & Transit | Kunsthalle Kiel / Museum der bildenden Künste Leipzig,
2000.
Rewind to the Future | Springerin, Austria, 2000.
Rewind to the Future | Kunstforum, Germany, 2000.
Sei einfach Medium! | Suddeutsche Zeitung Feuilleton, Munich,, 2000.
Net Condition / Netz_Bedingung | Camera Austria, 2000.
Humbot at Galerie K&S | Flash Art, 2000.
Tausend Karten | TAZ Tages Allgemeine Zeitung, Berlin,, 2000.
Netz Kunst im ZKM | Kunst-Bulletin, Switzerland, 1999.
Strampeln in der Cyber-Welt | Der Spiegel, Germany, 1999.
Rewind to the Future | Dr. Annelie Poehlen, Bonner Kunstverein / Neuer Berliner Kunstverein, 1999.
Net Condition: Art and Global Media | Timothy Druckrey / PEter Weibel, MIT Press, Cambridge, 1999.
Augenblick und Endlichkeit | Museum Ludwig, Salon Verlag, Cologne,1999.
16th World Wide Video Festival | Stedelijk Museum, Amsterdam, 1998.
Die Kunst und ihre neuen Medien | Spektrum Der Wissenschaft, Germany, 1998.
Peripherie ist Überall | Edition Bauhaus, Campus Verlag, Frankfurt, 1998.
Das Buch zur Documenta X | Catherine David, Kassel, Germany, 1997.
7th International Video Week | Saint Gervais, Geneva, 1997.
Kunst und Öffentlicher Raum | Neue Bildende Kunst, Germany, 1997.
Arctic Circle, Altas der Künstlerreisen | Kunstforum 137, Germany,1997.
U-Bahn nach Kassel | Frankfurter Allgemeine Zeitung, Germany, 1997.
Cool Club Cultures | Kunstforum, Germany, 1997.
Fotographie nach der Fotographie | Verlag der Kunst, Munich, 1996.
Photographie des 20. Jahrhunderts | Taschen /Museum Ludwig, Cologne, 1996.
Medium bedeutet Mitte | Kunstforum 137, Germany, 1996.
Bumper Value Jotter | Städtische Kunstsammlung Augsburg, 1996.
Experimental Vision | Denver Museum of Art, Colorado, 1995.
Growing up and Coming Down | Kunstforum, Germany, 1995.
Philip Pocock | Kunstforum, Germany, 1995.
The Art World and I Go Online | Art in America, New York, 1995.
Proiectul Intermedial Black Sea Diary | Intermedia, Bucharest, Romania, 1994.
Inbetween | Kunstforum, Germany, 1993.
Excess in the Technomediacratic Society | New Observations, New York, 1993.
Excess in the Technomediacratic Society | Musée Sarret de Grozon, France,
1992.
Projects: Philip Pocock | Albany Museum of Art, Georgia, 1989.
Photography on the Edge | Haggerty Museum of Art, Milwaukee, 1988.
Real Inventions/Invented Functions | Arts magazine, New York, 1988.
Art People | by Douglas McGill, The New York Times, New York, 1988.
Philip Pocock at Piezo Electric | Los Angeles Times, Los Angeles, 1987.
Landscape of Dreams | East Village Eye, New York, 1986.
Philip Pocock's Chemical Mirror | Arts magazine, New York,1986.
Today the Frame May be a Part of the Picture | Grace Glueck, New York Times, New York, 1985.
Philip Pocock at Piezo Electric | ArtPresse, Paris, 1985.
Philip Pocock at Piezo Electric | East Village Eye, New York, USA, 1985.
The New Irascibles | Arts magazine, New York, 1985.
The Submerging Figure | Dan Cameron, Arts magazine, New York, 1985.
Slouching Toward Avenue D | Art in America, New York, 1984.
Encyclopedia of Photography | ICP / Crown Press, New York,, 1984.
Art and Artists | Soho Arts Weekly, New York,, 1984.
Just Appearances | Progresso Fotografico, Milan, Italy, 1984.
Philip Pocock at Greathouse Gallery | Artnews, New York, USA, 1984.
Voice Pick | The Village Voice, New York, USA, 1984.
Berlin Photographs | London Regional Art Gallery, London,1983.
Wilder Bilder: Graffiti und Wandbilder | Kunstforum 50, 1982.
New York: Illusione Ovvia | Zoom La Revista dell’Immagine, Milan, 1982.
Des Murs dans la Ville | L’Equerre, Paris,, 1981.
Double Exposure at AGO | The Globe and Mail, Toronto, 1981.
Photography's Coming of Age at the AGO | Toronto Star, Toronto, 1981.
Two Ends of a Spectrum | Vanguard magazine, Vancouver, Canada, 1981.
Two Ends of a Spectrum | The Art Gallery of Ontario, Toronto, 1981.
Philip Pocock, Photography Annual 1981, New York, USA, 1981.
Walls with a View | New York magazine, New York, USA, 1981.
The Art of Escape | The Globe and Mail, Toronto, 1981.
Art Beat: The Politics of Culture | The Village Voice, New York, 1981.
posted by d_tect at 11:46 AM
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