publications
articles, books
& reviews
Gegenwelten zwischen Differenz und Reflexion: Momentaufnahmen vom Festival Dance, pg. 100, Jürgen Schläder / Franziska Weber, Henschel Verlag, Leipzig, 2009.
Uta M. Reindl, YOUniverse, Kunstforum, Germany, Bnd. 195, Jan-Mar 2009.
& reviews
Gegenwelten zwischen Differenz und Reflexion: Momentaufnahmen vom Festival Dance, pg. 100, Jürgen Schläder / Franziska Weber, Henschel Verlag, Leipzig, 2009.
Uta M. Reindl, YOUniverse, Kunstforum, Germany, Bnd. 195, Jan-Mar 2009.
YOUniverse, BIACS3 Seville Biannual | Marie-Ange Brayer/Wonil Rhee/Peter Weibel, BIACS Foundation, Andalusia, Spain, 2008.
Documents: Quelques pratiques artistique à l'ère de la numérisation (Some artistic practices of the digital age) Collection 35 Œvres Tome I, les presses du réel / Espace multimedia Gantner, Bourogne, France, 2007.
YOU_ser: The Century of the Consumer | Peter Weibel editor, ZKM Karlsruhe, 2007.
Klio: a Short History of Art in Euroamerica since 1945, ZKM Karlsruhe, Germany, 2007.
InterviewStream blog, concept/design/editor-in.chief, ZKM Karlsruhe, Germany, 2005-.
Jack Goldstein: Aphorisms 1987-2006, concept/dvd+web publisher/curator, ZKM Karlsruhe, Germany 2006.
Feelings Are Always Local | V2 Publishing / NAi, Rotterdam, 2004.
Internet Art | Rachel Greene, Thames & Hudson, London, 2004.
Digital Transformations: Medienkunst als Schnittstelle von Kunst, Wissenschaft,
Wirtschaft und Gesellschaft | Ursula Froehne, Whois Verlag, Heidelberg, 2004.
Critical Conditions: Information Atmospheres and Event Scenes | Timothy Druckrey, Wood Street Galleries, Pittsburgh, 2003.
The Conquest of Ubiquity | Espacio Xtra Foundation Caja Murcia, Spain, 2003.
The Chronofiles: Time-Based Art to Database | Lotrigner13, Munich,, 2003.
CyberArts | Ars Electronica, Hatje Cantz, 2003.
Chronofiles | Kunstforum 164, Germany, 2003.
Hull Short Film Festival | The Independent, London, 2003.
Clásicos Digitales | Sociedad Arte Digital, El Pais, Madrid, 2002.
Future Cinema | Metropolis magazine, Tokyo, Japan, 2002.
Future Cinema: Cinematic Imaginary after Film | Jeffrey Shaw / Peter Weibel, MIT Press, Cambridge, 2002.
Kunst des Ausstellens | AbK Stuttgart / Hatje Cantz Verlag,, 2002.
Zero to Infinity: Arte Povera 1962-1972 | Tate Modern, 2001.
Voila: le monde dans la tête | Musée d’art moderne de la Ville de Paris, 2000.
Media Art Interaction: 80s and 90s in Germany | Springer Verlag, New York
/Vienna, 2000.
Solitude im Museum / Solitude au musee | Staatsgalerie Stuttgart / Musée d’art moderne St. Etienne, 2000.
Desert & Transit | Kunsthalle Kiel / Museum der bildenden Künste Leipzig,
2000.
Rewind to the Future | Springerin, Austria, 2000.
Rewind to the Future | Kunstforum, Germany, 2000.
Sei einfach Medium! | Suddeutsche Zeitung Feuilleton, Munich,, 2000.
Net Condition / Netz_Bedingung | Camera Austria, 2000.
Humbot at Galerie K&S | Flash Art, 2000.
Tausend Karten | TAZ Tages Allgemeine Zeitung, Berlin,, 2000.
Netz Kunst im ZKM | Kunst-Bulletin, Switzerland, 1999.
Strampeln in der Cyber-Welt | Der Spiegel, Germany, 1999.
Rewind to the Future | Dr. Annelie Poehlen, Bonner Kunstverein / Neuer Berliner Kunstverein, 1999.
Net Condition: Art and Global Media | Timothy Druckrey / PEter Weibel, MIT Press, Cambridge, 1999.
Augenblick und Endlichkeit | Museum Ludwig, Salon Verlag, Cologne,1999.
16th World Wide Video Festival | Stedelijk Museum, Amsterdam, 1998.
Die Kunst und ihre neuen Medien | Spektrum Der Wissenschaft, Germany, 1998.
Peripherie ist Überall | Edition Bauhaus, Campus Verlag, Frankfurt, 1998.
Das Buch zur Documenta X | Catherine David, Kassel, Germany, 1997.
7th International Video Week | Saint Gervais, Geneva, 1997.
Kunst und Öffentlicher Raum | Neue Bildende Kunst, Germany, 1997.
Arctic Circle, Altas der Künstlerreisen | Kunstforum 137, Germany,1997.
U-Bahn nach Kassel | Frankfurter Allgemeine Zeitung, Germany, 1997.
Cool Club Cultures | Kunstforum, Germany, 1997.
Fotographie nach der Fotographie | Verlag der Kunst, Munich, 1996.
Photographie des 20. Jahrhunderts | Taschen /Museum Ludwig, Cologne, 1996.
Medium bedeutet Mitte | Kunstforum 137, Germany, 1996.
Bumper Value Jotter | Städtische Kunstsammlung Augsburg, 1996.
Experimental Vision | Denver Museum of Art, Colorado, 1995.
Growing up and Coming Down | Kunstforum, Germany, 1995.
Philip Pocock | Kunstforum, Germany, 1995.
The Art World and I Go Online | Art in America, New York, 1995.
Proiectul Intermedial Black Sea Diary | Intermedia, Bucharest, Romania, 1994.
Inbetween | Kunstforum, Germany, 1993.
Excess in the Technomediacratic Society | New Observations, New York, 1993.
Excess in the Technomediacratic Society | Musée Sarret de Grozon, France,
1992.
Projects: Philip Pocock | Albany Museum of Art, Georgia, 1989.
Photography on the Edge | Haggerty Museum of Art, Milwaukee, 1988.
Real Inventions/Invented Functions | Arts magazine, New York, 1988.
Art People | by Douglas McGill, The New York Times, New York, 1988.
Philip Pocock at Piezo Electric | Los Angeles Times, Los Angeles, 1987.
Landscape of Dreams | East Village Eye, New York, 1986.
Philip Pocock's Chemical Mirror | Arts magazine, New York,1986.
Today the Frame May be a Part of the Picture | Grace Glueck, New York Times, New York, 1985.
Philip Pocock at Piezo Electric | ArtPresse, Paris, 1985.
Philip Pocock at Piezo Electric | East Village Eye, New York, USA, 1985.
The New Irascibles | Arts magazine, New York, 1985.
The Submerging Figure | Dan Cameron, Arts magazine, New York, 1985.
Slouching Toward Avenue D | Art in America, New York, 1984.
Encyclopedia of Photography | ICP / Crown Press, New York,, 1984.
Art and Artists | Soho Arts Weekly, New York,, 1984.
Just Appearances | Progresso Fotografico, Milan, Italy, 1984.
Philip Pocock at Greathouse Gallery | Artnews, New York, USA, 1984.
Voice Pick | The Village Voice, New York, USA, 1984.
Berlin Photographs | London Regional Art Gallery, London,1983.
Wilder Bilder: Graffiti und Wandbilder | Kunstforum 50, 1982.
New York: Illusione Ovvia | Zoom La Revista dell’Immagine, Milan, 1982.
Des Murs dans la Ville | L’Equerre, Paris,, 1981.
Double Exposure at AGO | The Globe and Mail, Toronto, 1981.
Photography's Coming of Age at the AGO | Toronto Star, Toronto, 1981.
Two Ends of a Spectrum | Vanguard magazine, Vancouver, Canada, 1981.
Two Ends of a Spectrum | The Art Gallery of Ontario, Toronto, 1981.
Philip Pocock, Photography Annual 1981, New York, USA, 1981.
Walls with a View | New York magazine, New York, USA, 1981.
The Art of Escape | The Globe and Mail, Toronto, 1981.
Art Beat: The Politics of Culture | The Village Voice, New York, 1981.
YOU_ser: The Century of the Consumer | Peter Weibel editor, ZKM Karlsruhe, 2007.
Klio: a Short History of Art in Euroamerica since 1945, ZKM Karlsruhe, Germany, 2007.
InterviewStream blog, concept/design/editor-in.chief, ZKM Karlsruhe, Germany, 2005-.
Jack Goldstein: Aphorisms 1987-2006, concept/dvd+web publisher/curator, ZKM Karlsruhe, Germany 2006.
Feelings Are Always Local | V2 Publishing / NAi, Rotterdam, 2004.
Internet Art | Rachel Greene, Thames & Hudson, London, 2004.
Digital Transformations: Medienkunst als Schnittstelle von Kunst, Wissenschaft,
Wirtschaft und Gesellschaft | Ursula Froehne, Whois Verlag, Heidelberg, 2004.
Critical Conditions: Information Atmospheres and Event Scenes | Timothy Druckrey, Wood Street Galleries, Pittsburgh, 2003.
The Conquest of Ubiquity | Espacio Xtra Foundation Caja Murcia, Spain, 2003.
The Chronofiles: Time-Based Art to Database | Lotrigner13, Munich,, 2003.
CyberArts | Ars Electronica, Hatje Cantz, 2003.
Chronofiles | Kunstforum 164, Germany, 2003.
Hull Short Film Festival | The Independent, London, 2003.
Clásicos Digitales | Sociedad Arte Digital, El Pais, Madrid, 2002.
Future Cinema | Metropolis magazine, Tokyo, Japan, 2002.
Future Cinema: Cinematic Imaginary after Film | Jeffrey Shaw / Peter Weibel, MIT Press, Cambridge, 2002.
Kunst des Ausstellens | AbK Stuttgart / Hatje Cantz Verlag,, 2002.
Zero to Infinity: Arte Povera 1962-1972 | Tate Modern, 2001.
Voila: le monde dans la tête | Musée d’art moderne de la Ville de Paris, 2000.
Media Art Interaction: 80s and 90s in Germany | Springer Verlag, New York
/Vienna, 2000.
Solitude im Museum / Solitude au musee | Staatsgalerie Stuttgart / Musée d’art moderne St. Etienne, 2000.
Desert & Transit | Kunsthalle Kiel / Museum der bildenden Künste Leipzig,
2000.
Rewind to the Future | Springerin, Austria, 2000.
Rewind to the Future | Kunstforum, Germany, 2000.
Sei einfach Medium! | Suddeutsche Zeitung Feuilleton, Munich,, 2000.
Net Condition / Netz_Bedingung | Camera Austria, 2000.
Humbot at Galerie K&S | Flash Art, 2000.
Tausend Karten | TAZ Tages Allgemeine Zeitung, Berlin,, 2000.
Netz Kunst im ZKM | Kunst-Bulletin, Switzerland, 1999.
Strampeln in der Cyber-Welt | Der Spiegel, Germany, 1999.
Rewind to the Future | Dr. Annelie Poehlen, Bonner Kunstverein / Neuer Berliner Kunstverein, 1999.
Net Condition: Art and Global Media | Timothy Druckrey / PEter Weibel, MIT Press, Cambridge, 1999.
Augenblick und Endlichkeit | Museum Ludwig, Salon Verlag, Cologne,1999.
16th World Wide Video Festival | Stedelijk Museum, Amsterdam, 1998.
Die Kunst und ihre neuen Medien | Spektrum Der Wissenschaft, Germany, 1998.
Peripherie ist Überall | Edition Bauhaus, Campus Verlag, Frankfurt, 1998.
Das Buch zur Documenta X | Catherine David, Kassel, Germany, 1997.
7th International Video Week | Saint Gervais, Geneva, 1997.
Kunst und Öffentlicher Raum | Neue Bildende Kunst, Germany, 1997.
Arctic Circle, Altas der Künstlerreisen | Kunstforum 137, Germany,1997.
U-Bahn nach Kassel | Frankfurter Allgemeine Zeitung, Germany, 1997.
Cool Club Cultures | Kunstforum, Germany, 1997.
Fotographie nach der Fotographie | Verlag der Kunst, Munich, 1996.
Photographie des 20. Jahrhunderts | Taschen /Museum Ludwig, Cologne, 1996.
Medium bedeutet Mitte | Kunstforum 137, Germany, 1996.
Bumper Value Jotter | Städtische Kunstsammlung Augsburg, 1996.
Experimental Vision | Denver Museum of Art, Colorado, 1995.
Growing up and Coming Down | Kunstforum, Germany, 1995.
Philip Pocock | Kunstforum, Germany, 1995.
The Art World and I Go Online | Art in America, New York, 1995.
Proiectul Intermedial Black Sea Diary | Intermedia, Bucharest, Romania, 1994.
Inbetween | Kunstforum, Germany, 1993.
Excess in the Technomediacratic Society | New Observations, New York, 1993.
Excess in the Technomediacratic Society | Musée Sarret de Grozon, France,
1992.
Projects: Philip Pocock | Albany Museum of Art, Georgia, 1989.
Photography on the Edge | Haggerty Museum of Art, Milwaukee, 1988.
Real Inventions/Invented Functions | Arts magazine, New York, 1988.
Art People | by Douglas McGill, The New York Times, New York, 1988.
Philip Pocock at Piezo Electric | Los Angeles Times, Los Angeles, 1987.
Landscape of Dreams | East Village Eye, New York, 1986.
Philip Pocock's Chemical Mirror | Arts magazine, New York,1986.
Today the Frame May be a Part of the Picture | Grace Glueck, New York Times, New York, 1985.
Philip Pocock at Piezo Electric | ArtPresse, Paris, 1985.
Philip Pocock at Piezo Electric | East Village Eye, New York, USA, 1985.
The New Irascibles | Arts magazine, New York, 1985.
The Submerging Figure | Dan Cameron, Arts magazine, New York, 1985.
Slouching Toward Avenue D | Art in America, New York, 1984.
Encyclopedia of Photography | ICP / Crown Press, New York,, 1984.
Art and Artists | Soho Arts Weekly, New York,, 1984.
Just Appearances | Progresso Fotografico, Milan, Italy, 1984.
Philip Pocock at Greathouse Gallery | Artnews, New York, USA, 1984.
Voice Pick | The Village Voice, New York, USA, 1984.
Berlin Photographs | London Regional Art Gallery, London,1983.
Wilder Bilder: Graffiti und Wandbilder | Kunstforum 50, 1982.
New York: Illusione Ovvia | Zoom La Revista dell’Immagine, Milan, 1982.
Des Murs dans la Ville | L’Equerre, Paris,, 1981.
Double Exposure at AGO | The Globe and Mail, Toronto, 1981.
Photography's Coming of Age at the AGO | Toronto Star, Toronto, 1981.
Two Ends of a Spectrum | Vanguard magazine, Vancouver, Canada, 1981.
Two Ends of a Spectrum | The Art Gallery of Ontario, Toronto, 1981.
Philip Pocock, Photography Annual 1981, New York, USA, 1981.
Walls with a View | New York magazine, New York, USA, 1981.
The Art of Escape | The Globe and Mail, Toronto, 1981.
Art Beat: The Politics of Culture | The Village Voice, New York, 1981.
posted by d_tect at 11:46 AM
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