φhilip φocock :: ∂atatecture

CV 2010

2009-06-11T21:30:00.002+02:00

Philip Pocock - biography
Born Ottawa, Canada 1954.
BFA, New York University Film School, 1979.
Currently based in Europe.
[wikipedia entry] [datatecture.net]

2010

«Look Up!», Upgrade Berlin Summer Exiles bbq, Sculpture Park, Berlin, organized by Transmediale Berlin. link

2009

«alan∂», Nam June Paik Art Center, Seoul, South Korea. link

«arctic circle», Histoires à l'ère numérique, L'Éspace Multimédia Gantner, Belfort, CH & plug.in Basel, CH. link

2008
«alan∂::scopic regimes of uncertainty», BIACS3 Seville Biannual, ES. video site catalogue
«SpacePlace::art in the age of orbitization» locative virtual curating, Imagining Outer Space, Center for Interdisciplinary Research, Bielefeld, DE. archive video

2007
«ZKM YOUniverse in Second Life, and Mobile Mashup Movie Matrix» media sculpture; «SpacePlace::art in the age of orbitization, and Space Bike» virtual curatorial installation, YOU_ser: The Century of the Consumer, ZKM Karlsruhe, DE. site catalogue

2006
«If I Can Dream» paintings and photographs w. Walter Dahn, Galerie Yvon Lambert, Paris, FR. press release
«everyone, a satellite¿» presentation, The Information Revolution: between everyday and future, Informatics Year symposium, Faculty of Computer Science, University of Karlsruhe, DE. video
«SpacePlace :: art in the age of arbitization» locative virtual curating, ZKMax locative media space, Munich, DE. flyer mobile site press release

2005
«Unmovie::how to make your corner mandala» w. G.Stehle, A.Heide, FS.Huber, F.Wuest, Resites, Galerie OBORO, Montreal, CA. press release
«Unmovie.net», 'Database Imaginary' w. A.Heide, G.Stehle, Dunlop Art Gallery, Regina, and Blackwood Gallery, University of Toronto, CA. press release

2004
«Unmovie::the mind cannot rest on anything», 'Database Imaginary' w. A.Heide, G Stehle, Walter Phillips Gallery, Banff, CA. site
«Unmovie::open teahouse» w. G Stehle, Feelings Are Always Local - DEAF04 Dutch Electronic Art Festival, Rotterdam, NL. catalogue
International Festival of Media Art Dresden, Festspielhaus Hellerau, DE.
«Unplugged» w. G Stehle, Galerie Kohinoor, Karlsruhe, DE.
«Landscape Memories», Faculty of Fine Art, University of Kabul, AF. site

2003
«Unmovie::two tourists» w. G Stehle, 'Future Cinema: the cinematic imaginary after film', Intercommunication Center ICC, Tokyo, JP. press release
«Unmovie.net», Honorable mention Net Excellence, Ars Electronica, Linz, AT. catalogue
«Unmovie::a long curtain for a short festival» w. A.Heide, G Stehle, International Short Film Festival, Hull, UK.
«Unmovie::kiasma extension proposal» w. A.Heide, G Stehle, 'Future Cinema_ the cinematic imaginary after film', Kiasma Museum of Contemporary Art, Helsinki, FI. press release
«Unmovie::stand-in & tincam» w. G Stehle, ‘Critical Conditions: information atmospheres and event scenes’, Wood Street Galleries, Pittsburgh, US. catalogue video
«Unmovie::fountain-image» w. G Stehle, ‘Chronofiles: from time-based art to database’, Lotringer13, Munich, DE. catalogue
«Code is the Current Language of Culture», FILE International Festival of Electronic Language, São Paolo, BR.
«Unmovieopolis» w. G Stehle, Media Museum ZKM Karlsruhe, DE.
«Unmovie.net», Runme 2.3 Festival of Software Art, Helsinki/Moscow, FI/RU.

'The Conquest of Ubiquity', XTRA space CajaMurcia Foundation, Murcia, ES. site

2002
«Unmovie::wall-image & bubblecam» w. G Stehle, ‘Future Cinema: The Cinematic Imaginary after Film’ ZKM Karlsruhe. video site book
«Space Some Space» w. G Stehle, ‘cntl_space’ blank wall webcam, ZKM / laptop screen wall, Academy of Fine Arts, Karlsruhe, DE.
‘1st Online Open Exhibition’, Irish Museum of Modern Art, Dublin, IE.

2001
'Space Between’, Kunst des Ausstellens / The Art of Exhibiting conference, Fine Art Academy, Stuttgart, DE. book
‘Environmental [ƒ]actors: art, education, sudience’, Vom Tafelbild zum Globalen Datenraum symposium, ZKM, Karlsruhe, DE. text
‘The Network is the Narrative’, net.congestion International Festival of Streaming Media, De Balie, Amsterdam, NL.
«The Thing About Plastic» w. Gruppo A12, G Stehle, Solitude im museum, Staatsgalerie Stuttgart, DE.

«A History of Grey & MamCam» w. G. Stehle, Solitude au musée, Musée d'art moderne St. Etienne, FR. catalogue
‘Links Prize’, V2 Rotterdam / Virose, Museum Serralves, Porto, PT.

2000
«h|u|m|b|o|t::firewall», ‘Voilà: Le monde dans la tête’ w. Gruppo A12, Musée d'art moderne de la Ville de Paris, FR. catalogue
‘Hypercinema Drifts - Docs Online’ International Documentary Film Festival, Amsterdam, NL.
‘ØtherLands’, Éspace Flon, Lausanne, CH.
«h|u|m|b|o|t::CAD memories», Galerie K&S, Berlin, DE.
«Humbot.org», Art Basel 31, Basel, CH.
«Travel-as-art: a trilogy», cITy urbanism, honorable mention, International Media Art Awards, ZKM/SWR, KArlsruhe, DE. catalogue
‘Desert & Transit’, Museum of Fine Arts, Leipzig /Kunsthalle Kiel, DE. catalogue

1999
«h|u|m|b|o|t», ‘net_condition: art and global media’ w. A Dirosa, E Carmagnani, Gruppo A12, ZKM, Karlsruhe, DE. book site
«Humbot.org», Steirischer Herbst, Graz, AT. screencast
‘Art-Travel-Agency’, Shift e.v. Berlin, DE.
«h|u|m|b|o|t::mail bot» w. R Cabot, National Gallery of Art / Kunsthalle der Bundesrepublik Deutschland, Bonn, DE.
'Rewind to the Future', Bonner Kunstverein / Neuer Berliner Kunstverein, DE. catalogue
‘Augenblick und Endlichkeit’, Museum Ludwig, Cologne. [catalogue]

'Traversing Territory, Portland Institute of Contemporary Art, Oregon, US. catalogue
‘Order/Disorder: Architectural Transitions’, New York Public Library, US.

1998
‘Kiosk II’ w. Gruppo A12, International Sculpture Invitational, Art Cologne, Cologne, DE.
‘ØtherLands’, 16th World Wide Video Festival, Stedelijk Museum, Amsterdam, NL. catalogue
‘Technoculture’, Fri-Art Center of Contemporary Art, Fribourg, CH.
‘La Conscienza Luccicante’, Palace of Expositions, Rome, IT.
‘ØtherLands’, Palais des Beaux-Arts, Brussels, BE.

1997
Philip Pocock, 100 Days-100 Guests program, documenta X, Kassel, DE. video
‘A Description of the Equator and Some ØtherLands’ w. FS Huber, U Noll, F Wenz, documenta X, Kassel, DE. tv book site
«ØtherLands» w. F Wenz, 1st International Performance Festival, Kunsthallen Brandts Klædefabrik, Odense, DK.
‘Kiosk I’ w. Gruppo A12, Galerie Brigitte Schenk, Cologne, DE. video flyer
‘ØtherLands’ w. FS Huber, F Wenz, 7th International Video Week, Biannual of the Moving Image, Saint Gervais Génève, CH. catalogue
New Media Fellow, Academy Schloss Solitude, Stuttgart, DE. mewe
‘Raum ohne Eigenschaften / Space without Qualities’ information and urbanism workshop, Stiftung Bauhaus, Dessau, DE. catalogue
'Double Aura: museums & networks', Das Museum als Medienmodell / The Museum as Media Model conference, Ulm Museum, Ulm, DE. publication
‘Another Time, Another Place’ W Dahn w. Philip Pocock, Stedelijk Museum, Amsterdam, NL. press release
'E-Quator', Salon Digital Soirée, ZKM Schaufenster am Marktplatz, Karlsruhe, DE.

1996
‘Tropic of Cancer’ w. FS Huber, C Keller, F Wüst, Haus der Kulturen der Welt, Berlin, DE. site
‘Music Security Administration’ w. W Dahn, Galerie Monika Sprüth, Cologne, DE.
‘Bumper Value Jotter’ w. W Dahn, Städtische Sammlung, Augsburg, DE. catalogue
‘Homemade Ice Cream’ w. W Dahn, Leccese-Sprueth, Cologne, DE.
‘Growing Up and Coming Down’ w. W Dahn, Centro d’arte contemporanea, Bellinzona, CH.
‘Version 2.2’, Center for Contemporary Images, Geneva, CH. cd rom press release
'Simulation / Stimulation', Viper Festival for Film and New Media, Lucerne, CH.
‘Arctic Circle’ presentation, Combirama, Zurich, CH.
‘Ars Digitalis’ symposium, Fine Art Academy, Berlin, DE.
‘Follow the Yellow Brick Road...’, Kunsthalle New York, US.
‘Hello World’, Museum für Gestaltung, Zurich, CH.
‘Art on the Web’, Whitney Museum of American Art, New York, US. video

1995

‘Photography after Photography: memory and representation in the digital age’, Finnish Museum of Photography, Helsinki, FI / Fotomuseum Winterthur, CH / Museet for Fotokunst, Odense, DK / Kunsthalle Krems, AT / Praterinsel Aktienforum, Munich, DE. site catalogue
‘The Arctic and the Internet’, Siemens Medienlabor, lotringer13, Munich, DE.
‘Growing Up and Coming Down’ w. W Dahn, Jörn Bötnagel Projekte, Cologne, DE. site kunstforum

1994
‘Cibachrome Paintings’, Galerie Simon Dresdnère, Toronto, CA.
‘Recent Acquisition’, Museum of Fine Arts, Houston, Texas, US.
‘Visiting Artist’, Glassel School of Art, Houston, Texas, US.
‘Black Sea Diary::Time Lines, Tourist Bubbles, Transmission Errors’ w. FS Huber, STORM, Amsterdam, NL. video

1993
‘Black Sea Diary’ w. FS Huber, Electronic Cafe, Venice Biannual, IT. book
‘Von der klassischen zur experimentellen Fotographie’, America House, Cologne, DE.
‘Inbetween’, Turkish Pavillion, Venice Biannual, IT.
‘Excess in the Technomediacratic Society’, Galerie Krinzinger, Vienna, Shoshona Wayne Gallery, Los Angeles, US. catalogue
‘Grün beruhigt’, Galerie Löhrl, Mönchengladbach, DE.
'Cibachrome Painting,' Galerie Leyendecker, Teneriffa, Canary Islands, ES.
‘Experimental Vision: The Evolution of the Photogram Since 1919’, Denver Museum of Art, Colorado, US.

1992
‘Set’, Berland Hall Gallery, New York, US.
‘Excess in the Techno-Mediacatic Society’, Musée Sarret de Grozon d’Arbois, FR. catalogue
‘Adam, Andreas, Curtis, James, Peter and Philip’, Centro de Arte La Regenta, Las Palmos / .La Casa de Cultura, Tenerife, Canary Islands, ES.

1991
‘I [Ich]’, Gallery STORM, Amsterdam, NL..
‘18x Kunst aus New York’, Galerie Löhrl, Mönchengladbach, Kunstraum Neuss. DE.
‘Bilderlust’, Museum Ludwig, Cologne, DE. catalogue

1990
Antibea Theater Festival, Cap d'Antibes, FR.
‘Cibachrome Paintings’, Julian Pretto Gallery, New York, US.
‘Cibachrome Paintings’, Berland Hall Gallery, New York, US.
‘PhotoModern’, Arts Festival of Atlanta, Georgia, US.
‘Total Metal’, Simon Watson Gallery, New York, US.

1989
‘Cibachrome Paintings’, Albany Museum of Art, Georgia, US. brochure

1988
‘Photography on the Edge’, Haggerty Museum of Art, Milwaukee, US.
‘Recent Acquisition’, Everson Museum of Art, Syracuse, New York, US.

'100 Years: A Tradition of Social and Political Art on the Lower East Side', PPOW Gallery, New York, US.
‘Real Inventions/Invented Functions’, Laurie Rubin Gallery, New York, US.

1987
Co-founder w. J Zinsser, ‘Journal of Contemporary Art’, New York, US. cover archive review
‘Cibachrome Paintings’, Piezo Electric West, Los Angeles, US.

'New Trends in East Village Art', Mori Gallery, Sydney, AU.

'Focus: New York', Moosart Gallery, Miami, US.

1986
‘Cibachrome Paintings’, Piezo Electric Gallery, New York.
‘Out of the Clouds’, Edith Blum Art Institute, New York.

'Contemporary Issues III', Holman Hall Art Gallery, Trenton State College, New Jersey, US.

1985
‘Cibachrome Paintings’, Piezo Electric Gallery, New York, US.
‘The Art of Appropriation’, Alternative Museum, New York, US.

'Soon To Be a Major Motion Picture', Greathouse Gallery, New York, US.
‘East Village Art’, Saidye Bronfman Center, Montreal, CA.

1984
‘Berlin Stories’, Greathouse Gallery, New York.
‘Street Politics’, Real Art Ways, Hartford, Connecticut, US.
‘Obvious Illusion’, Sol Mednick Photography Gallery, Philadelphia College of Art, Penn., US.

1983
‘Cibachrome Paintings’, Piezo Electric Gallery, New York.
‘Painting and Sculpture Today’, Indianapolis Museum of Art, Indiana, US.
‘Allocations’, 49th Parallel Gallery of Canadian Art, New York, US. flyer

1982
‘Limbo’, PS1 Institute for Art and Urban Resources, New York, US.
‘Cibachrome Paintings’, Piezo Electric Gallery, New York, US.
‘Berlin Stories’, London Regional Art Gallery, London, Ontario, CA.
‘The Terminal Show’, Brooklyn Army Terminal, New York, US.
‘First Six Photographers’, Oggi Domani Gallery, New York, US.

1981
Cibachrome Photography Instructor (until 1990), International Center of Photography, New York, US.
‘The Obvious Illusion: Murals from the Lower East Side’, The Cooper Union for the Advancement of Art and Science, New York, US. book
‘Two Ends of a Spectrum’ w. Robert Bordeau, Art Gallery of Ontario, Toronto. catalogue

2009 exhibitions

2009-06-11T15:00:00.004+02:00

«alan∂» network sculpture

in EXPposition of Mythology : ELectronic Technology, Nam June Paik Art Center, Seoul, South Korea, 12 June - 04 October. link

2007 exhibitions

2008-02-15T14:58:00.008+01:00

'The SLatelliterates :: ZKM Island in Second Life' (above). [Teleport there now via SLURL].

'YOUniverse Satellite' user-generated content mobile media sculpture (above). Send an image in now (smaller than 2Mb) by mail or mobile mail to up (at) zkm (dot) de.

'The Orbitants : sφace φlace :: art in the age of ΦrbitizatiΦn, bluetooth 2-projector installation. in YOU_ser: The Century of the Consumer, ZKM, Germany (below).

All installations in «YOU_ser: The Century of the Consumer», ZKM Center for Art and Media, Karlsruhe, Germany. [More info here and here.]

2008 exhibitions

2008-02-15T03:07:00.016+01:00

alan∂ :: scopic regimes of uncertainty network sculpture

«BIACS3 Seville Biannual» Andalucia, Spain

October 2, 2008 - January 10, 2009.

Web service and info here and here.
YOUniverse BIACS3 Seville biannual catalogue [PDF].

sφace φlace :: art in the age of ΦrbitizatiΦn participatory, mobile media installation
«Imagining Outer Space» International Conference
ZIF Center for Interdisciplinary Research, Bielefeld, Germany, Feb 6 - 9 2008.

More info here and here.

sφace φlace at www.orbit.zkm.de (web), mobile.orbit.zkm.de (cellphone).

Local Bluetooth public curatorial and participatory connection at Bielefeld conference site (below):

View or download presentation at «Imagining Outer Space».

portrait 2008

2008-01-15T19:42:00.000+01:00

education

2006-11-02T12:02:00.000+01:00

teaching

Artist-Curator in Residence, Institute for Visual Media, ZKM Center for Art and Media, Karlsruhe, Germany, 2005 –

Guest Professor, Karlsruhe Academy of Design, Karlsruhe, Germany, 2005.

Guest Professor, Faculty of Fine Art, University of Kabul, Afghanistan, 2004.

Guest Professor, Bauhaus University, Dessau, Germany, 1997.

Professor, Painting and its Borders Art, Art and Design Theory Dept., Design Faculty, Hochschule Pforzheim / Pforzheim University of Applied Science, Pforzheim, Germany, 1994 –

Faculty, International Center of Photography, New York, 1980 - 90.

editor

Interviewstream blog, concept / editor-in-chief, ZKM Center for Art and Media /
Museum for Contemporary Art, Karlsruhe, Germany, 2007 -.

Texte zur Kunst, contributoing editor, Berlin, Germany, 1992-4.

Journal of Contemporary Art, co-founder / co-editor, New York, USA, 1988. Online 1995 - http://www.jca-online.com

study

BFA, Film and TV production, New York University Film School, New York, USA, 1979.

System Design Engineering, boursier, Ecole supérieure des ingénieurs de
Marseille, France, 1975-6.

Systems Design Engineering, University of Waterloo, Canada, 1973-75.

lectures, workshops & appearances

Art Curating in the Age of Orbitization | Informatikjahr 2006, ZKM/ Uni Karlsruhe, Germany, 2006.

Beyond Art and Media / Jenseits von Kunst und Medien | Academy of Fine Art (AbK), Karlsruhe, Germany, 2004.

New Nature of Narrative for a Narrative of Nature | FILE International Electronic Language Festival, British Council, Sao Paolo, 2003.

Hypercinema | Class Prof. David Larcher, Academy of Media Arts (KhM), Cologne, Germany, 2002.

Space Between | The Art of Exhibiting: The Future of the Exhibition || Academy of Fine Arts (AbK), Stuttgart, Germany, 2001 ||| book.

Environmental (ƒ)Actors | Vom Tafelbild zum Globalen Datenraum / From Easel
Painting to Global Dataspace || ZKM Center for Art and Media, Karlsruhe, Germany, 2001 || catalogue.

Network Narrative | Net Congestion: International Festival Streaming Media symposium, Amsterdam, The Netherlands, 2000.

Expanded Media | Class Prof. Birgit Hein, Academy of Fine Art (HbK) Braunschweig, 1998.

Weatherreport from the Equator | 16th World Wide Video Festival symposium, Melkweg (Milky Way), Amsterdam,
1998.

Philip Pocock, Guest, 100 Days 100 Guests program (Day 63) | Documenta X, Kassel, Germany, 1997 || internet stream, arte tv, published in Media Art interaction: History of Media Art in Germany 80s and 90s, 2001.

MeWe! Fellow lecture | Academy Schloss Solitude, Stuttgart, Germany, 1997.

Networks and Museums | Das Museum als veraltetes Medienmodell / The Museum
as Outdated Media Model, Ulmer Museum, Ulm, Germany, 1997 || catalogue

Cybercinema and the Hyper-roadmovie | VIPER International Film and Video Festival, Lucerne, Switzerland, 1996.

Email Reading | Ars Digitalis, Academy of Art (HdK), Berlin, Germany, 1996.

Medium bedeutet Mitte / Medium Means Middle | German Philological Institute, Maximillian University, Munich,, 1996 || publ. Kunstforum.

Travel-As-Art | Medienlabor München, Siemens Kultureprogramm, Munich, Germany, 1996.

From Thingness to Isness seminar | Academy of Art (HdK), Berlin, 1995.

Black Sea Diary reading | Casino Container, Media Park, Cologne, Germany, 1993.

Beyond Photography | Glassel School of Art and University of Texas at Houston, Houston, Texas US, 1992.

Current Trends in Contemporary Photography seminar | Class Patsy Spadavecchia Photography Dept., New School for Social Research, New York, 1987-9.

Remembering the Future on Jack Goldstein | Fruitmarket Gallery, Edinburgh, Scotland, 1988.

The Obvious Illusion | Directions and Perspectives Lecture Series, International Center of Photography, New York, US, 1980.

The Obvious Illusion | Class Prof. Tom Drysdale, Photography Dept., New York University, New York, US, 1980.

awards & grants

External Affairs Canada Cultural Exchange Grant | Faculty of Fine Art, Kabul University, Afghanistan, 2004.

Unmovie | Net Excellence, Ars Electronica, Austria, 2003.

Travel-as-Art: a Trilogy | International Media Art Award, ZKM Center for Art and Media, Karlsruhe, Germany, 2001.

Humbot.org | Goethe Institute, Caracas, Venezuela, 1998.

Fellow in New Media, Akademie Schloss Solitude, Stuttgart, Germany, 1997.

External Affairs Canada Artists Grant | Documenta X, Kassel, Germany / Entebbe, Uganda, 1997.

Project Grant, Canada Council for the Arts, Ottawa, Ontario / New York, US, 1980.

2006 exhibitions

2006-05-29T07:01:00.000+02:00

sφace φlace :: art in the age of ΦrbitizatiΦn :: ZKMax Munich June 7 - Dec 31 2006

Info SpacePlace: Art in the Age of Orbitization

Gotchis

SpacePlace: Art in the Age of Orbitization,
///ZKMax___, Munich, Germany, 2006.

SpacePlace: Art in the Age of Orbitization [web]

SpacePlace: Art in the Age of Orbitization [mobile]

2-Screen Bluetooth Installation ///ZKMax___ screenshots.

SpacePlace: Art in the Age of Orbitization | ///ZKMax___, Munich, Germany.

publications

2005-11-25T11:46:00.010+01:00

articles, books
& reviews

Gegenwelten zwischen Differenz und Reflexion: Momentaufnahmen vom Festival Dance, pg. 100, Jürgen Schläder / Franziska Weber, Henschel Verlag, Leipzig, 2009.

Uta M. Reindl, YOUniverse, Kunstforum, Germany, Bnd. 195, Jan-Mar 2009.

YOUniverse, BIACS3 Seville Biannual | Marie-Ange Brayer/Wonil Rhee/Peter Weibel, BIACS Foundation, Andalusia, Spain, 2008.

Documents: Quelques pratiques artistique à l'ère de la numérisation (Some artistic practices of the digital age) Collection 35 Œvres Tome I, les presses du réel / Espace multimedia Gantner, Bourogne, France, 2007.

YOU_ser: The Century of the Consumer | Peter Weibel editor, ZKM Karlsruhe, 2007.

Klio: a Short History of Art in Euroamerica since 1945, ZKM Karlsruhe, Germany, 2007.

InterviewStream blog, concept/design/editor-in.chief, ZKM Karlsruhe, Germany, 2005-.

Jack Goldstein: Aphorisms 1987-2006, concept/dvd+web publisher/curator, ZKM Karlsruhe, Germany 2006.

Feelings Are Always Local | V2 Publishing / NAi, Rotterdam, 2004.

Internet Art | Rachel Greene, Thames & Hudson, London, 2004.

Digital Transformations: Medienkunst als Schnittstelle von Kunst, Wissenschaft,
Wirtschaft und Gesellschaft | Ursula Froehne, Whois Verlag, Heidelberg, 2004.

Critical Conditions: Information Atmospheres and Event Scenes | Timothy Druckrey, Wood Street Galleries, Pittsburgh, 2003.

The Conquest of Ubiquity | Espacio Xtra Foundation Caja Murcia, Spain, 2003.

The Chronofiles: Time-Based Art to Database | Lotrigner13, Munich,, 2003.

CyberArts | Ars Electronica, Hatje Cantz, 2003.

Chronofiles | Kunstforum 164, Germany, 2003.

Hull Short Film Festival | The Independent, London, 2003.

Clásicos Digitales | Sociedad Arte Digital, El Pais, Madrid, 2002.

Future Cinema | Metropolis magazine, Tokyo, Japan, 2002.

Future Cinema: Cinematic Imaginary after Film | Jeffrey Shaw / Peter Weibel, MIT Press, Cambridge, 2002.

Kunst des Ausstellens | AbK Stuttgart / Hatje Cantz Verlag,, 2002.

Zero to Infinity: Arte Povera 1962-1972 | Tate Modern, 2001.

Voila: le monde dans la tête | Musée d’art moderne de la Ville de Paris, 2000.

Media Art Interaction: 80s and 90s in Germany | Springer Verlag, New York
/Vienna, 2000.

Solitude im Museum / Solitude au musee | Staatsgalerie Stuttgart / Musée d’art moderne St. Etienne, 2000.

Desert & Transit | Kunsthalle Kiel / Museum der bildenden Künste Leipzig,
2000.

Rewind to the Future | Springerin, Austria, 2000.

Rewind to the Future | Kunstforum, Germany, 2000.

Sei einfach Medium! | Suddeutsche Zeitung Feuilleton, Munich,, 2000.

Net Condition / Netz_Bedingung | Camera Austria, 2000.

Humbot at Galerie K&S | Flash Art, 2000.

Tausend Karten | TAZ Tages Allgemeine Zeitung, Berlin,, 2000.

Netz Kunst im ZKM | Kunst-Bulletin, Switzerland, 1999.

Strampeln in der Cyber-Welt | Der Spiegel, Germany, 1999.

Rewind to the Future | Dr. Annelie Poehlen, Bonner Kunstverein / Neuer Berliner Kunstverein, 1999.

Net Condition: Art and Global Media | Timothy Druckrey / PEter Weibel, MIT Press, Cambridge, 1999.

Augenblick und Endlichkeit | Museum Ludwig, Salon Verlag, Cologne,1999.

16th World Wide Video Festival | Stedelijk Museum, Amsterdam, 1998.

Die Kunst und ihre neuen Medien | Spektrum Der Wissenschaft, Germany, 1998.

Peripherie ist Überall | Edition Bauhaus, Campus Verlag, Frankfurt, 1998.

Das Buch zur Documenta X | Catherine David, Kassel, Germany, 1997.

7th International Video Week | Saint Gervais, Geneva, 1997.

Kunst und Öffentlicher Raum | Neue Bildende Kunst, Germany, 1997.

Arctic Circle, Altas der Künstlerreisen | Kunstforum 137, Germany,1997.

U-Bahn nach Kassel | Frankfurter Allgemeine Zeitung, Germany, 1997.

Cool Club Cultures | Kunstforum, Germany, 1997.

Fotographie nach der Fotographie | Verlag der Kunst, Munich, 1996.

Photographie des 20. Jahrhunderts | Taschen /Museum Ludwig, Cologne, 1996.

Medium bedeutet Mitte | Kunstforum 137, Germany, 1996.

Bumper Value Jotter | Städtische Kunstsammlung Augsburg, 1996.

Experimental Vision | Denver Museum of Art, Colorado, 1995.

Growing up and Coming Down | Kunstforum, Germany, 1995.

Philip Pocock | Kunstforum, Germany, 1995.

The Art World and I Go Online | Art in America, New York, 1995.

Proiectul Intermedial Black Sea Diary | Intermedia, Bucharest, Romania, 1994.

Inbetween | Kunstforum, Germany, 1993.

Excess in the Technomediacratic Society | New Observations, New York, 1993.

Excess in the Technomediacratic Society | Musée Sarret de Grozon, France,
1992.

Projects: Philip Pocock | Albany Museum of Art, Georgia, 1989.

Photography on the Edge | Haggerty Museum of Art, Milwaukee, 1988.

Real Inventions/Invented Functions | Arts magazine, New York, 1988.

Art People | by Douglas McGill, The New York Times, New York, 1988.

Philip Pocock at Piezo Electric | Los Angeles Times, Los Angeles, 1987.

Landscape of Dreams | East Village Eye, New York, 1986.

Philip Pocock's Chemical Mirror | Arts magazine, New York,1986.

Today the Frame May be a Part of the Picture | Grace Glueck, New York Times, New York, 1985.

Philip Pocock at Piezo Electric | ArtPresse, Paris, 1985.

Philip Pocock at Piezo Electric | East Village Eye, New York, USA, 1985.

The New Irascibles | Arts magazine, New York, 1985.

The Submerging Figure | Dan Cameron, Arts magazine, New York, 1985.

Slouching Toward Avenue D | Art in America, New York, 1984.

Encyclopedia of Photography | ICP / Crown Press, New York,, 1984.

Art and Artists | Soho Arts Weekly, New York,, 1984.

Just Appearances | Progresso Fotografico, Milan, Italy, 1984.

Philip Pocock at Greathouse Gallery | Artnews, New York, USA, 1984.

Voice Pick | The Village Voice, New York, USA, 1984.

Berlin Photographs | London Regional Art Gallery, London,1983.

Wilder Bilder: Graffiti und Wandbilder | Kunstforum 50, 1982.

New York: Illusione Ovvia | Zoom La Revista dell’Immagine, Milan, 1982.

Des Murs dans la Ville | L’Equerre, Paris,, 1981.

Double Exposure at AGO | The Globe and Mail, Toronto, 1981.

Photography's Coming of Age at the AGO | Toronto Star, Toronto, 1981.

Two Ends of a Spectrum | Vanguard magazine, Vancouver, Canada, 1981.

Two Ends of a Spectrum | The Art Gallery of Ontario, Toronto, 1981.

Philip Pocock, Photography Annual 1981, New York, USA, 1981.

Walls with a View | New York magazine, New York, USA, 1981.

The Art of Escape | The Globe and Mail, Toronto, 1981.

Art Beat: The Politics of Culture | The Village Voice, New York, 1981.

2005 exhibitions

2005-11-24T18:07:00.000+01:00

Installation in progress,
How to Make Your Corner Mandala,
Galerie Oboro, Montreal, 2005.

Unmovie (Stage & Stream) | Database Imaginary || Blackwood Gallery at UTM, Toronto, Canada ||| Dunlop Art Gallery, Regina, Canada.

How To Make Your Corner Mandala | Resites || Galerie OBORO, Montreal Canada.

2004 exhibitions

2005-11-23T14:58:00.000+01:00

Open Theehuis (Unmovie)
installation (exterior view),
9x7x6m.
Dutch Electronic Art Festival,
Rotterdam, 2004.

Detail, Screen Shot I, 4x2.5x.80m.
Old computer, 2 bronze figures,
plywood, plastic wheels, cables.
Ismael Noori Gallery, Karlsruhe, Germany, 2004.

Open Storage (Unmovie) | Database Imaginary w. G Stehle, A.Heide || Walter Phillips Gallery, Banff Center, Alberta, Canada.

Open Theehuis / Open Teahouse (Unmovie) | Affective Turbulence: Feelings Are Always Local w. G Stehle, R.Ketelings || DEAF04 - Dutch Electronic Art Festival, Rotterdam, Netherlands. ||| catalogue.

Unmovie (Stage and Stream) | Trans Media International Festival of Media Art || Festspielhaus Hellerau, Dresden, Germany.

www.unmovie.net.

Unplugged (Beyond Art and Media) w. G Stehle | Gallery Ismael Noori, Karlsruhe, Germany.

2003 exhibitions

2005-11-23T12:26:00.000+01:00

Kiasma Extension Proposal
(Unmovie) installation,
3x2x2,5m.
Kiasma Museum of
Contemporary Art,
Helsinki, Finland, 2003.

A Long Curtain for a Short
Festival (Unmovie)
installation detail, 16x6x3.2m,
International Short Film
Festival, Ferrens Gallery.
Kingston-upon-Hull, UK, 2003.

Two Tourists (Unmovie) w. G Stehle | Future Cinema, ICC, Tokyo || catalogue.

Unmovie.net | Net Excellence, Ars Electronica, Linz, Austria || catalogue.

A Long Curtain for a Short Festival (Unmovie) w. G Stehle | International Short Film Festival, Kingston-upon-Hull, UK || catalogue.

Kiasma Extension Proposal (Unmovieopolis) w. G Stehle | Future Cinema || Kiasma Museum of Contemporary Art, Helsinki, Finland.

Stand-in (Unmovie) and TinCam w. G Stehle | Critical Conditions: Information Atmospheres and Event Scenes, Timothy Druckrey curating, Wood Street Galleries, Pittsburgh || catalogue.

Fountain-Image (Unmovie) w. G Stehle | Chronofiles: from Time-base to Database, curated by Margit Rosen, Lotringer13 Mediaforum, Munich || catalogue.

Unmovie (Stage and Stream) | FILE International Festival of Electronic Language, Sao Paolo, Brazil.

Unmovieopolis w. G Stehle | Media Museum ZKM Karlsruhe, Germany.

Unmovie.net | Runme Festival of Software Art, Helsinki/Moscow ||catalogue.

www.unmovie.net | Stage and Stream weblication.

2002 exhibitions

2005-11-22T17:23:00.000+01:00

Wall-Image (Unmovie) installation,
4x.8x3.2m., Future Cinema,
ZKM Center for Art and Media,
Karlsruhe, Germany, 2002.

Wall-Image (Unmovie) and BubbleCam w. G Stehle | Future Cinema: Cinematic Imaginary after Film, ZKM Center for Art and Media Technology, Karlsruhe, Germany || book.

www.unmovie.net | UNMOVIE Stage and Stream weblication.

SpaceSomeSpace w. G Stehle | Cntl Space (unofficial), ZKM Center for Art and Media Technology / AbK Academy of Fine Arts, Karlsruhe, Germany.

h|u|m|b|o|t | 1st Online Open Exhibition, Irish Museum of Modern Art, Dublin.

www.humbot.org | Flatbook-Flatmovie self-organizing Mediamapping | screenworld.

2001 exhibitions

2005-11-22T13:56:00.000+01:00

A History of Grey installation detail,
27x19x7m.
Solitude au musée, Musée d'art
moderne St. Etienne, 2001.

The Truth about Plastic w. G Stehle, Gruppo A12 | Solitude im Museum, Staatsgalerie Stuttgart, Stuttgart, Germany || catalogue.

A History of Grey w. G Stehle | Solitude au musée, Musée d'art moderne St. Etienne, France || catalogue.

h|u|m|b|o|t | Links Prize, V2 Rotterdam / Virose, Museum Serralves, Porto, Portugal.

www.humbot.org | Flatbook-Flatmovie self-organizing Mediamapping | screenworld.

2000 exhibitions

2005-11-22T11:50:00.000+01:00

h|u|m|b|o|t Firewall installation
detail, Voila: le monde dans la tête,
Musée d'art moderne de la
Ville de Paris, 2000.

Travel-as-Art: a Trilogy | International Media Art Awards ZKM Center for Art and Media Technology, Karlsruhe, Germany | catalogue.

h|u|m|b|o|t - Firewall w. Daniel Burckhardt, Gruppo A12 | Voila: le monda dans la tête, curated by Hans Ulrich Obrist , Musée d'art moderne de la Ville de Paris, France || catalogue.

h|u|m|b|o|t | International Documentary Film Festival, Amsterdam, Netherlands.

h|u|m|b|o|t | International Festival of Streaming Media, Amsterdam, Netherlands.

ØtherLands (outdoor projection) | Éspace Flon, Lausanne, Switzerland.

h|u|m|b|o|t - CAD Memory | Galerie K&S, Berlin, Germany.

h|u|m|b|o|t | Art Basel 31, Basel, Switzerland.

www.humbot.org | Flatbook-Flatmovie self-organizing Mediamapping | screenworld.

Arctic Circle installation | Desert & Transit, Museum of Fine Arts, Leipzig / Kunsthalle Kiel, Kiel, Germany || catalogue.

1999 exhibitions

2005-11-22T10:05:00.000+01:00

h|u|m|b|o|t installation, 24x18x6m.
net_condition, ZKM Center for Art
and Media, Karlsruhe, Germany.
h|u|m|b|o|t moviemapping site

h|u|m|b|o|t Mailbot and A History of Revolution | National Gallery / Kunsthalle der Bundesrepublik Deutschland, Bonn.

www.humbot.org | Flatbook-Flatmovie self-organizing Mediamapping | screenworld.

h|u|m|b|o|t views | Net Condition, ZKM Center for Art and Media, Karlsruhe || book.

Arctic Circle | Rewind to the Future, Bonner Kunstverein, Bonn, Germany || catalogue.

Augenblick und Endlichkeit, Museum Ludwig, Cologne, Germany || catalogue.

1998 exhibitions

2005-11-22T09:24:00.000+01:00

Equator Kiosk II, networked hyper-
cinema installation, drawings, bear
carpet, mosquito tent, palettes.
Sculpture Cologne, ArtCologne.

Equator - Kiosk II | Sculpture Cologne Exhibition, ArtCologne, Germany || catalogue.

Øtherlands two-place installation | Technoculture, Fri-Art Center of Contemporary Art, Fribourg, 1998.

ØtherLands | World Wide Video Festival, Stedelijk Museum, Amsterdam || catalogue.

Equator | CONSTANT || Museum of Fine Art, Brussels, Belgium.

1997 exhibitions

2005-11-21T18:14:00.000+01:00

A Description of the Equator and
Some Øtherlands, documenta x,
train station / hall /web, Kassel.

Øtherlands installation,
Saint Gervais, Geneva, Switzerland.

A Description of the Equator and Some ØtherLands | documenta x, Kassel, Germany || catalogue.

Kiosk I | Galerie Brigitte Schenk, Cologne, Germany.

ØtherLands installation | 7th International Video Week, Biannual of the Moving Image, Saint Gervais, Geneva || catalogue.

Equator Hacking Chairs installation | International Performance Festival, Kunsthalle Odense, Denmark || catalogue.

Arctic Circle | Traversing Territories II curated by Judith Mastia, Institute of Contemporary Art, Portland, Oregon US.

1996 exhibitions

2005-11-21T15:22:00.000+01:00

Arctic Circle installation, 9x12x4m.
hyper road movie online, double
video, hardcopy, various.
Follow the yellow brick road...,
Kunsthalle New York, NYC.

Arctic Circle / Tropic of Cancer
CD ROM, Saint Gervais Génève,
Switzerland.

Bumper Value Jotter w. W Dahn | Städtische Sammlung, Augsburg, Germany || catalogue.

Tropic of Cancer | Haus der Kulturen der Welt / House of World Cultures, Berlin, Germany.

Growing Up Coming Down w. W Dahn | Centro d’Arte Contemporanea / Insitute of Contemporary Art, Bellinzona, Switzerland.

Music Security Administration w. W Dahn Galerie Monika Sprüth, Cologne, Germany.

Email Slideshow and Double Video | Files – Bunker 4th Floor, Berlin Mitte, Germany.

Arctic Circle | Version 2.2, Saint Gervais, Geneva, 1996 || CD ROM edition.

Arctic Circle | VIPER Festival for Film and New Media, Lucerne, Switzerland.

Arctic Circle and Tropic of Cancer | Follow the Yellow Brick Road, Kunsthalle New York, US.

Arctic Circle | Hello World, Museum für Gestaltung, Zurich, Switzerland.

Arctic Circle | Art on the Web, Whitney Museum of American Art, New York, US.

Photographie des 20. Jahrhunderts, Museum Ludwig, Cologne, 1996 || book.

1995 exhibitions

2005-11-21T10:19:00.000+01:00

Arctic Circle
in Photography after Photography.

Growing Up and Coming Down w. W Dahn | Jörn Bötnagel Projects, Cologne, Germany || catalogue / silkscreen edition.

Arctic Circle | Photography After Photography / Fotographie nach der Fotographie (1995-6):
Finnish Museum of Photography, Helsinki, Finland;
Fotomuseum Winterthur, Switzerland;
Museet for Fotokunst, Odense, Denmark;
Kunsthalle Krems, Austria;
Aktionsforum Praterinsel, Munich, Germany;
Städtische Galerie Erlangen, Germany.

1994 exhibitions

2005-11-21T08:53:00.000+01:00

call me tomorrow, 24x20 in.
organic vapors and oxidizing agents on
Cibachrome® paper, daylight, 1991.

Cibachrome Paintings, Galerie Simon Dresdnere, Toronto, Ontario, Canada.

1991 exhibitions

2005-11-20T21:54:00.000+01:00

Philip Pocock, Photographie des
20. Jahrhunderts, Museum Ludwig,
Cologne, Germany, publ. 1993.

Bilderlust | Museum Ludwig, Cologne, Germany || book.

1993 exhibitions

2005-11-20T19:04:00.000+01:00

Black Sea Diary (a facsimile of
facsimiles), Edition Patrick Frey /
Scalo Verlag, Berlin, Zurich, New York.

Black Sea Diary w. FS Huber | Electronic Café, Venice Biennale, Venice, Italy || book.

Experimental Vision: The Evolution of the Photogram Since 1919 | Denver
Museum of Art, Colorado,US || catalogue.

Excess in the Technomediacratic Society | Galerie Krinzinger, Vienna, Austria / Shoshona Wayne Gallery, Los Angeles,US || catalogue.

Grün beruhigt | Galerie Löhrl, Mönchengladbach, Germany.

Cibachrome Painting, Galerie Leyendecker, Tenerife, Canary Islands, Spain.

1992 exhibitions

2005-11-20T09:31:00.000+01:00

Adam, Andreas, Curtis, James, Peter and Philip | Centro de Arte La Regenta, Las
Palmos, Gran Canaria / La Casa de Cultura, Tenerife, Spain || catalogue.

1990 exhibitions

2005-11-19T14:32:00.000+01:00

Atelier, Cibachrome Painting.

Cibachrome Paintings | Julian Pretto Gallery, New York ,USA.

Cibachrome Paintings | Berland Hall Gallery, New York, USA.

Cibachrome Paintings | Antibea || Cesare Foundation, Cap d’Antibes, France.

1989 exhibitions

2005-11-19T14:23:00.000+01:00

Catalogue cover, Philip Pocock,
Albany Museum of Art, Albany, Georgia.

Project - Philip Pocock | Albany Museum of Art, Albany, Georgia, US.

1988 exhibitions

2005-11-19T10:05:00.000+01:00

Bricks 2, 30x80in.

Empire State II, 40x30in.,
Coll. Pascale and Patsy Spadavecchia,
New York.

Real Inventions / Invented Functions | Laurie Rubin Gallery, New York, US.

Empire State | Recent Acquisitions, Everson Museum of Art, Syracuse, New York, US.

Photography on the Edge | Haggerty Museum of Art, Milwaukee, Wisconsin, US || catalogue.

Street Politics: 100 Years of Social and Political Art on the Lower East Side | Real Art Ways, Hartford, Connecticut, US.

1987 exhibitions

2005-11-19T07:31:00.000+01:00

Philip Pocock, Piezo Electric.

Philip Pocock, Piezo Electric Gallery, Venice, California, USA.

1986 exhibitions

2005-11-18T23:42:00.000+01:00

Medusa.

Philip Pocock, Piezo Electric Gallery, New York, USA.

Focus New York | Moos Art Gallery, Miami, Florida, US.

Out of the Clouds | Edith Blum Art Institute, New York, US.

Alphabet City | Fashion Institute of Technology, New York, US.

1983 exhibitions

2005-11-18T17:51:00.000+01:00

Berlin catalogue,
London Regional Art
Gallery, London, Canada.

Philip Pocock Berlin | London Regional Art Gallery, London, Ontario, Canada || catalogue.

Philip Pocock, Piezo Electric Gallery, New York, US.

1984 exhibitions

2005-11-18T16:14:00.000+01:00

Love Canal, 15x2m.,
Allocations, 49th Parallel, New York.

Allocations curated by William Ewing | 49th Parallel Gallery of Canadian Art, New York, US || brochure.

Berlin Stories | Greathouse Gallery, New York, USA.

1985 exhibitions

2005-11-17T21:05:00.000+01:00

East Village Art | Saidye Bronfman Center, Montreal, Quebec, Canada.

The Art of Appropriation | Alternative Museum, New York, USA || catalogue.

1982 exhibitions

2005-11-17T18:00:00.000+01:00

Philip Pocock,
Judgement of Paris,
cibachrome painting, 24x20 in.

Limbo | PS1 Institute for Art and Urban Resources, New York, US.

1981 exhibitions

2005-11-17T11:02:00.000+01:00

Philip Pocock, Two Ends of a
Spectrum, Art Gallery of Ontario,
Toronto, Canada.

Two Ends of a Spectrum: Robert Bourdeau and Philip Pocock | Art Gallery of Ontario, Toronto, Canada | catalogue.

1980 exhibitions

2005-11-16T18:08:00.000+01:00

Philip Pocock, The Obvious Illusion, Geo. Braziller Inc, New York.

The Obvious Illusion: Murals from the Lower East Side | Cooper Union for
the Advancement of Art and Science, New York, US || book.